dramatic play

英 [drəˈmætɪk pleɪ]

美 [drəˈmætɪk pleɪ]

网络  表演游戏; 戏剧性游戏; 戏剧游戏; 戏剧性扮演; 扮演游戏

英英释义

noun

• a dramatic work intended for performance by actors on a stage
  1. he wrote several plays but only one was produced on Broadway
  Synonym:playdrama

双语例句

• Kunqu Opera The Peony Pavilion is the peak work in Chinese dramatic history and is the play that can bring the delicacy and romance of Kunqu Opera into full play.
  昆曲《牡丹亭》中国戏剧史上的巅峰之作，是最能体现昆曲精致浪漫的一部剧目。
• A dramatic sunset; a dramatic pause; a spectacular display of northern lights; it was a spectacular play; his striking good looks always created a sensation.
  壮观的日落；引人注目的停顿；壮观的北极光；这是个动人的戏剧；他那惊人的英俊经常引起轰动。
• The most dramatic thing in the play is the murder of the main character by his son.
  这话剧最戏剧性的东西是主角被儿子谋杀。
• However, we, as ourselves, can only measure the emotional labor and its consequences of burying any kind of affection by following the "exhausting" dramatic time through the nine scenes of the play.
  然而我们只有跟随着这九场戏的戏剧时间回到过去，才能衡量埋葬任何一种感情所需的精力和结果。
• Therefore, the good can mystify the everyday life and can make people extract the spiritual meaning from imagination and exciting dramatic life, and combine story with the play of mind.
  善可以将日常生活神秘化，使人从想象中和令人激动的戏剧化生活行动中提取精神含义，把故事与思想游戏结合起来。
• LeBron almost gave his team a dramatic win with a four-point play near the end of regulation.
  勒布朗几乎给他的团队戏剧性赢得了四点发挥临近结束时的规例。
• There are different categories in dramatic literature, according to the nature of conflict and effect that dramatic literature reflected, the dramatic literature can be divided into tragedy, comedy, serious play.
  戏剧文学有各种不同的分类，根据戏剧文学所反映的矛盾冲突的性质和它产生的戏剧效果，可分为悲剧、喜剧、正剧。
• Children's responses may be verbal or nonverbal, artistic, and dramatic including play.
  对幼儿而言，反应可以是语言的、非语言的、艺术的、戏剧的，包括游戏。
• Developments and changes of Chinese TV play, In its process of development, Chinese TV play has underwent three stages: dramatic aesthetics, movie aesthetics, and TV play aesthetics.
  中国电视剧审美流变。在中国电视剧的发展历程中，先后经历了三个阶段：戏剧美学阶段，电影美学阶段和电视剧美学阶段。
• The article provides a comparative study of the forms of character's self_introduction in classical dramatic genres between China and Japan ( Yuan Drama, Ming Drama, Peking Opera, 'No' play, 'No' farce, Kabuki).
  本文以中日具有代表性的古典戏剧（元杂剧、明传奇、京剧、能乐、狂言、歌舞伎），比较检讨其登场人物的自我介绍程式。